Red Randal
10-01-2007, 05:02 PM
Happy 25th Anniversary, Epcot! Here's a review of one of your most famous rides!
Spaceship Earth
Intro: Perhaps the most iconic symbol in all of Walt Disney World, Spaceship Earth is the large sphere (or, as some like to call it, “golf ball”) located just inside the front gates of Epcot. The attraction of the same name located inside existed relatively unchanged from opening day in 1982 up until the summer of 2007 when it was finally closed for renovations. While a love for the attraction is rooted deep in the hearts of a great many Disney fans, a need for updating and renovations has long existed as well. It is not known for sure what will come of the ride’s renovations but what is certain is that Spaceship Earth, in its past form, will live on in the memories of Disney fans perhaps more than any other attraction that ever has or will operate in Epcot.
Queue: One of the more bizarre queues in all of Walt Disney World, Spaceship Earth’s line winds around the base of the dome and eventually into a tunnel to the inside of the “ball.” Back in the day, this line would get incredibly long very early because it is literally the first thing guests see when they enter Epcot. Today, however, most guests bypass it in favor of rushing towards one of the thrill rides in the back of Future World. From noon on, it’s pretty much a walk-on. This will in all likelihood change when the ride reopens in 2008.
Ride: We enter one of the always moving ride vehicles and quickly (actually, pretty slowly) begin to ascend into darkness. A female voice-over warns us that “Spaceship Earth is a slow moving journey” and that “your time machine vehicle will slowly rotate backwards.” It would seem that the best time to warn people about a ride is BEFORE they get on it, but whatever.
Jeremy Irons joins us to narrate as we first encounter a projection of cavemen. In the beginning, these cavemen were the first to communicate. One caveman shouts some caveman babble as Jeremy, himself, babbles about the first spoken language coming about. You know, ABC launching that Cavemen show right at the time Spaceship Earth gets refurbished can’t be a coincidence. I smell a tie-in.
We move on to the Egyptians, who develop hieroglyphics and build pyramids. Then we come to the Phoenician merchants (read: Lebanese; also, the biblical Canaanites) who develop highways and an alphabet. Then we make it to the Greeks who do something unintelligible because of the really awful sound system on the ride. They also give birth to the theater, as evidenced by the audio-animatronic Greeks performing some type of play while shouting faux-Greek gibberish…something about a gyro, I think.
Next we move into the Roman Empire, probably the most famous Empire of them all. Which reminds me to ask, who do you think would win in a fight, Julius Caesar or Darth Vader? Common logic says to go with Vader (since he has superhuman powers, spaceships, and a light-saber) but something makes me think Caesar could put up a good fight. Heck, it took one guy to take down Vader but it took the whole Roman Senate to put away Caesar for good. What was I saying? Oh yeah, the Spaceship Earth review.
It’s now time to cue the most famous scent at Walt Disney World in the “burning of Rome scene.” After Rome gets crispy, the dark ages take over and leave the world of knowledge and communication to Islamic scholars and monks who fall asleep while copying books with hidden Mickey’s in them. Then Guttenberg runs out of grapes to press so he decides to print some books and the Renaissance results. Michelangelo paints while Da Vinci sculpts and writes secret codes.
Quickly enough, it’s time for the industrial revolution, telephones, radio, and television. It might not have been intentional but the ride seemingly takes forever to get from one subject to another in the beginning but then near the end starts to quickly jump from the printing press to the radio in, like 45 seconds. I’m thinking this is because timeline-wise, they are only covering 300-400 years whereas before they were jumping through thousands of years BC. Of course, it might also be because it takes the ride vehicles longer to travel through the older scenes because of where they are situated within the dome, but let’s pretend that it’s not.
Now we begin to move through the really goofy part of the ride that depicts “the technology of today” and “the future.” Trust me, it’s not even the quirky campy kind of stuff like in Horizons, it’s just the stuff that’s simply incorrect. For instance, a kid in America (with a mark-out inducing Typhoon Lagoon surfboard in his room) plays video games and talks to a kid in Japan (who, of course, appears to live in a pagoda.) Sure, this kind of technology exists and is pretty common today, but the games and the interface look nothing like the one that appears on screen because the one on screen is what people THOUGHT it would like in 1995. It’s like the virtual reality game in the Carousel of Progress.
We’ve JUST NOW made it to the top of the dome, so the “time machine” spins around so that we can descend at a much sharper angle than would be doable if we were facing forward. (TRIVIA: Originally, the ride did not have the part required to rotate the cars. It was someone's job to sit on top of the track and manually turn around every car!) While we ride down the side of the globe we encounter more things that never have and never will exist (like kids in a classroom taking a virtual reality ride on a bumblebee.)
Finally, colorful lights flash overhead and some guests hum “Tomorrow’s Child” in their head as the ride comes to a conclusion. Get up, get out of the car, and prepare for your eyes to hurt very much.
Thoughts: Spaceship Earth is a classic and served as the only real reminder of the glory days of Epcot in the 80’s. Whatever the changes end up being, remain reasonably assured that the ride will be fundamentally the same but will still cause complaints that it lacks the “charm” of the original. Honestly, though, this ride was in desperate need of a facelift. The narration is barely audible, the sound cues are nowhere near as sharp as they could be, the ride vehicles and animatronics click and clack louder than the soundtrack, and the cars are insanely uncomfortable. Remember it fondly, folks, but look forward to 2008 because, trust me, things are going to get better. Hey, at least they’re not making it a roller coaster.
The story, theme, and execution of the ride are pretty much perfect for what it is, by the way. Just remember that it’s an educational dark ride so if you’re not into that sort of thing then you’re going to be bored to tears.
Overall Rating: **** ½
Spaceship Earth
Intro: Perhaps the most iconic symbol in all of Walt Disney World, Spaceship Earth is the large sphere (or, as some like to call it, “golf ball”) located just inside the front gates of Epcot. The attraction of the same name located inside existed relatively unchanged from opening day in 1982 up until the summer of 2007 when it was finally closed for renovations. While a love for the attraction is rooted deep in the hearts of a great many Disney fans, a need for updating and renovations has long existed as well. It is not known for sure what will come of the ride’s renovations but what is certain is that Spaceship Earth, in its past form, will live on in the memories of Disney fans perhaps more than any other attraction that ever has or will operate in Epcot.
Queue: One of the more bizarre queues in all of Walt Disney World, Spaceship Earth’s line winds around the base of the dome and eventually into a tunnel to the inside of the “ball.” Back in the day, this line would get incredibly long very early because it is literally the first thing guests see when they enter Epcot. Today, however, most guests bypass it in favor of rushing towards one of the thrill rides in the back of Future World. From noon on, it’s pretty much a walk-on. This will in all likelihood change when the ride reopens in 2008.
Ride: We enter one of the always moving ride vehicles and quickly (actually, pretty slowly) begin to ascend into darkness. A female voice-over warns us that “Spaceship Earth is a slow moving journey” and that “your time machine vehicle will slowly rotate backwards.” It would seem that the best time to warn people about a ride is BEFORE they get on it, but whatever.
Jeremy Irons joins us to narrate as we first encounter a projection of cavemen. In the beginning, these cavemen were the first to communicate. One caveman shouts some caveman babble as Jeremy, himself, babbles about the first spoken language coming about. You know, ABC launching that Cavemen show right at the time Spaceship Earth gets refurbished can’t be a coincidence. I smell a tie-in.
We move on to the Egyptians, who develop hieroglyphics and build pyramids. Then we come to the Phoenician merchants (read: Lebanese; also, the biblical Canaanites) who develop highways and an alphabet. Then we make it to the Greeks who do something unintelligible because of the really awful sound system on the ride. They also give birth to the theater, as evidenced by the audio-animatronic Greeks performing some type of play while shouting faux-Greek gibberish…something about a gyro, I think.
Next we move into the Roman Empire, probably the most famous Empire of them all. Which reminds me to ask, who do you think would win in a fight, Julius Caesar or Darth Vader? Common logic says to go with Vader (since he has superhuman powers, spaceships, and a light-saber) but something makes me think Caesar could put up a good fight. Heck, it took one guy to take down Vader but it took the whole Roman Senate to put away Caesar for good. What was I saying? Oh yeah, the Spaceship Earth review.
It’s now time to cue the most famous scent at Walt Disney World in the “burning of Rome scene.” After Rome gets crispy, the dark ages take over and leave the world of knowledge and communication to Islamic scholars and monks who fall asleep while copying books with hidden Mickey’s in them. Then Guttenberg runs out of grapes to press so he decides to print some books and the Renaissance results. Michelangelo paints while Da Vinci sculpts and writes secret codes.
Quickly enough, it’s time for the industrial revolution, telephones, radio, and television. It might not have been intentional but the ride seemingly takes forever to get from one subject to another in the beginning but then near the end starts to quickly jump from the printing press to the radio in, like 45 seconds. I’m thinking this is because timeline-wise, they are only covering 300-400 years whereas before they were jumping through thousands of years BC. Of course, it might also be because it takes the ride vehicles longer to travel through the older scenes because of where they are situated within the dome, but let’s pretend that it’s not.
Now we begin to move through the really goofy part of the ride that depicts “the technology of today” and “the future.” Trust me, it’s not even the quirky campy kind of stuff like in Horizons, it’s just the stuff that’s simply incorrect. For instance, a kid in America (with a mark-out inducing Typhoon Lagoon surfboard in his room) plays video games and talks to a kid in Japan (who, of course, appears to live in a pagoda.) Sure, this kind of technology exists and is pretty common today, but the games and the interface look nothing like the one that appears on screen because the one on screen is what people THOUGHT it would like in 1995. It’s like the virtual reality game in the Carousel of Progress.
We’ve JUST NOW made it to the top of the dome, so the “time machine” spins around so that we can descend at a much sharper angle than would be doable if we were facing forward. (TRIVIA: Originally, the ride did not have the part required to rotate the cars. It was someone's job to sit on top of the track and manually turn around every car!) While we ride down the side of the globe we encounter more things that never have and never will exist (like kids in a classroom taking a virtual reality ride on a bumblebee.)
Finally, colorful lights flash overhead and some guests hum “Tomorrow’s Child” in their head as the ride comes to a conclusion. Get up, get out of the car, and prepare for your eyes to hurt very much.
Thoughts: Spaceship Earth is a classic and served as the only real reminder of the glory days of Epcot in the 80’s. Whatever the changes end up being, remain reasonably assured that the ride will be fundamentally the same but will still cause complaints that it lacks the “charm” of the original. Honestly, though, this ride was in desperate need of a facelift. The narration is barely audible, the sound cues are nowhere near as sharp as they could be, the ride vehicles and animatronics click and clack louder than the soundtrack, and the cars are insanely uncomfortable. Remember it fondly, folks, but look forward to 2008 because, trust me, things are going to get better. Hey, at least they’re not making it a roller coaster.
The story, theme, and execution of the ride are pretty much perfect for what it is, by the way. Just remember that it’s an educational dark ride so if you’re not into that sort of thing then you’re going to be bored to tears.
Overall Rating: **** ½